![]() ![]() By the age of 19, Joey Alexander had won millions of hearts with his outstanding contribution to jazz music. His career took the right turn at the age of nine, after winning the Grand Prix in 2013 at the Master Jam Fest.Ĭhild prodigy Joey Alexander is now an inspiration to a lot of people. By six years of age, Joey Alexander was perfectly capable of playing a number of legendary compositions. Joey Alexander was introduced to jazz by his father. ![]() That simple childhood eagerness gave him a career, fame, and identity that he now lives by daily. Joey Alexander is a god-gifted Indonesian musician who has been into Jazz since birth.Īt the age of six, when a child would probably get busy watching his favorite cartoon shows, Joey Alexander's hobby was to play classic jazz compositions on his piano. Parents Denny Sila, Farah Leonara Urbach About Joey Alexander Anyone using the information provided by Kidadl does so at their own risk and we can not accept liability if things go wrong. Kidadl cannot accept liability for the execution of these ideas, and parental supervision is advised at all times, as safety is paramount. We recommend that these ideas are used as inspiration, that ideas are undertaken with appropriate adult supervision, and that each adult uses their own discretion and knowledge of their children to consider the safety and suitability. Our recommended activities are based on age but these are a guide. We recognise that not all activities and ideas are appropriate and suitable for all children and families or in all circumstances. Kidadl provides inspiration to entertain and educate your children. We will always aim to give you accurate information at the date of publication - however, information does change, so it’s important you do your own research, double-check and make the decision that is right for your family. We try our very best, but cannot guarantee perfection. We strive to recommend the very best things that are suggested by our community and are things we would do ourselves - our aim is to be the trusted friend to parents. What is continuous is this album’s capacity to make you grin with astonishment.At Kidadl we pride ourselves on offering families original ideas to make the most of time spent together at home or out and about, wherever you are in the world. “Rhythm-a-ning” is unleashed in an ecstasy of swing.Īs for the second issue, no 14-year-old, however gifted, has the life experience to engage the spiritual depths of “’Round Midnight” (Alexander avoids the song’s dark hesitations and attaches a free, percussive, buoyant prologue) or to render a love story as tender and strange as “Pannonica.” He sometimes throws so many ideas at these songs that his improvisations lack continuity. (Bassist Scott Colley and drummer Willie Jones III do not serve as mature counselors to Alexander instead, they incite him.) “Ugly Beauty,” Monk’s only waltz, no longer mournful, sings anew. “Evidence,” that awkward, halting tune, cruises into exhilarating double-time overdrive. He rephrases, reorganizes and redecorates Monk masterpieces with preternatural chops and the irreverent joyful innocence of childhood. Alexander has no problems with the first issue. Second, Monk’s music deals with adult emotional complexities. Wynton Marsalis believes that “there has never been anyone … who could play like that at his age.” Alexander’s domination of the piano keyboard is all but absolute, and his young mind teems with startling ideas.Ī program of seven Monk compositions is his greatest challenge to date, for two reasons. Our culture’s 24-hour news cycle creates a risk that Alexander could become yesterday’s headline. ! is his third recording, in a digital-only release. Since his relocation to the United States with his parents in 2014, he has been featured on major television programs ( 60 Minutes, The Today Show), toured the world and become the youngest jazz musician ever nominated for a Grammy. He was born in Bali in 2003 and recorded his first album when he was 11. By now Joey Alexander’s story is well known.
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